Major - 6 assignments
Krupa Rameshwarbhai Rajyaguru
Maharani shree nandkuvarba mahila Arts and Commerce College
1. Break the ice
= you say or do something to make people feel relaxed and comfortable.
2. Add fuel to the fire.
=Even in a serious situation, saying or doing things that make the situation more difficult .
3. Kick the bucket
= Informal way say to die.
4. The ball is in your court.
=It is up to you to make the next move.
5. When pigs fly.
=something is impossible or highly unlikely to ever happen.
6. Once in a blue moon.
=very rarely.
7. Let the cat out of the bag.
=Reveal a secret carelessly or by mistake.
8. A piece of cake.
=something easily achieved.
9. Don’t cry over spilled milk.
=advises against wasting time and emotional energy being upset about something that has already happened and cannot be changed.
Translate the following paragraph
" Post Office "
In the grey sky of early daw.n stars still glowed, as happy memories light up a life that is nearing
its close. An old man was walking through the town, now and again drawing his tattered clothes
tighter to shield his body from the cold and biting wind. From some houses came the sound of
grinding mills, and the sweet voices of women singing at their work, and the sounds helped him
along his lonely way. Except for the occasional bark of a dog, the distant steps of a workman
going early to work, or the screech of a bird disturbed before its time, the whole town was
wrapped in deathly silence. Most of its inhabitants were still in the arms of sleep, the sleep which
grew more and more profound on account of the intense winter cold; for the cold used sleep to
extend its sway over all things even as a false friend lulls his chosen victim with caressing
smiles. The old man, shivering at times but fixed on purpose, plodded on till he came out of the
town-gate onto a straight road. Along this he now went at a somewhat slower pace, supporting
himself on his old staff.
"āŠŠોāŠļ્āŠ āŠāŠŦિāŠļ "
āŠĩāŠđેāŠēી āŠļāŠĩાāŠ°āŠĻા āŠૂāŠāаા āŠāŠાāŠķāŠŪાં āŠĪાāŠ°ાāŠ āŠđāŠુ āŠŠāŠĢ āŠāŠŪāŠāŠĪા āŠđāŠĪા, āŠાāŠ°āŠĢ āŠે āŠુāŠķ āŠŊાāŠĶો āŠĻāŠીāŠ āŠāŠĩી āŠ°āŠđેāŠēા āŠીāŠĩāŠĻāŠĻે āŠŠ્āŠ°āŠાāŠķિāŠĪ āŠāаે āŠે āŠĪેāŠĻો āŠ
ંāŠĪ. āŠāŠ āŠĩૃāŠĶ્āŠ§ āŠŪાāŠĢāŠļ āŠķāŠđેāŠ°āŠŪાંāŠĨી āŠŠāŠļાāŠ° āŠĨāŠ āŠ°āŠđ્āŠŊો āŠđāŠĪો, āŠĩાāŠ°ંāŠĩાāŠ° āŠĪેāŠĻા āŠŦાāŠેāŠēા āŠāŠŠāŠĄાં āŠેંāŠી āŠ°āŠđ્āŠŊો āŠđāŠĪો āŠ ંāŠĄી āŠ
āŠĻે āŠāŠ°āŠĄāŠĪા āŠŠāŠĩāŠĻāŠĨી āŠĪેāŠĻા āŠķāŠ°ીāŠ°āŠĻે āŠŽāŠાāŠĩāŠĩા āŠŪાāŠે āŠĩāŠ§ુ āŠāŠĄāŠ. āŠેāŠāŠēાāŠ āŠāаોāŠŪાંāŠĨી āŠŪિāŠēો āŠŠીāŠļāŠĩાāŠĻો āŠ
āŠĩાāŠ, āŠ
āŠĻે āŠાāŠŪ āŠŠāŠ° āŠાāŠĪી āŠļ્āŠĪ્āŠ°ીāŠāŠĻા āŠŪāŠ§ુāŠ° āŠ
āŠĩાāŠો, āŠ
āŠĻે āŠ
āŠĩાāŠોāŠ āŠĪેāŠĻે āŠŪāŠĶāŠĶ āŠāаી āŠĪેāŠĻા āŠāŠાંāŠĪ āŠŪાāŠ°્āŠ āŠŠāŠ°. āŠૂāŠĪāŠ°ાāŠĻા āŠ્āŠŊાāŠ°ેāŠ āŠāŠļāŠĩાāŠĻો, āŠાāŠŪāŠĶાāŠ°āŠĻા āŠĶૂāŠ°āŠĻા āŠŠāŠāŠēાં āŠાāŠŪ āŠŠāŠ° āŠĩāŠđેāŠēા āŠāŠĩાāŠĻો, āŠ
āŠĨāŠĩા āŠļāŠŪāŠŊ āŠŠāŠđેāŠēાં āŠāŠēેāŠē āŠŠāŠđોંāŠાāŠĄāŠĪા āŠŠāŠ્āŠ·ીāŠĻા āŠીāŠļ āŠļિāŠĩાāŠŊ, āŠāŠું āŠķāŠđેāŠ° āŠŪāŠ°āŠĢāŠŪāŠŊ āŠŪૌāŠĻāŠŪાં āŠēāŠŠેāŠાāŠŊેāŠēું āŠđāŠĪું. āŠĪેāŠĻા āŠŪોāŠાāŠાāŠāŠĻા āŠ°āŠđેāŠĩાāŠļીāŠ āŠđāŠુ āŠŠāŠĢ āŠંāŠāŠĻા āŠđાāŠĨāŠŪાં āŠđāŠĪા, āŠે āŠંāŠ āŠĪીāŠĩ્āŠ° āŠķિāŠŊાāŠģાāŠĻી āŠ ંāŠĄીāŠĻે āŠાāŠ°āŠĢે āŠĩāŠ§ુāŠĻે āŠĩāŠ§ુ āŠાāŠĒ āŠŽāŠĻāŠĪી āŠāŠ; āŠાāŠ°āŠĢ āŠે āŠ ંāŠĄી āŠંāŠāŠĻો āŠāŠŠāŠŊોāŠ āŠŽāŠ§ી āŠĩāŠļ્āŠĪુāŠ āŠŠāŠ° āŠŠોāŠĪાāŠĻો āŠŠ્āŠ°āŠાāŠĩ āŠĩિāŠļ્āŠĪાāŠ°āŠĩા āŠŪાāŠે āŠāаāŠĪી āŠđāŠĪી, āŠāŠēે āŠોāŠા āŠŪિāŠĪ્āŠ° āŠĪેāŠĻા āŠŠāŠļંāŠĶ āŠāаેāŠēા āŠŠીāŠĄિāŠĪāŠĻે āŠŠ્āŠ°ેāŠŪāŠĨી āŠķાંāŠĪ āŠāаે āŠļ્āŠŪિāŠĪ. āŠĩૃāŠĶ્āŠ§ āŠŪાāŠĢāŠļ, āŠ્āŠŊાāŠ°ેāŠ āŠ§્āŠ°ૂāŠāŠĪો āŠŠāŠĢ āŠાāŠĢી āŠોāŠāŠĻે āŠļ્āŠĨિāŠ° āŠ°āŠđેāŠĪો, āŠķāŠđેāŠ°āŠĻા āŠĶāŠ°āŠĩાāŠાāŠŪાંāŠĨી āŠŽāŠđાāŠ° āŠĻીāŠāŠģીāŠĻે āŠļીāŠ§ા āŠ°āŠļ્āŠĪા āŠŠāŠ° āŠāŠĩ્āŠŊો āŠĪ્āŠŊાં āŠļુāŠ§ી āŠĪે āŠāŠāŠģ āŠĩāŠ§āŠĪો āŠāŠŊો. āŠ āŠļાāŠĨે āŠĪે āŠđāŠĩે āŠĨોāŠĄી āŠ§ીāŠŪી āŠāŠĪિāŠ āŠાāŠē્āŠŊો, āŠŠોāŠĪાāŠĻા āŠૂāŠĻા āŠēાāŠāŠĄી āŠŠāŠ° āŠŠોāŠĪાāŠĻે āŠેāŠો āŠāŠŠ્āŠŊો.
“Three Neighbours”
The seth and Ram are waking; the whole world’s calling;
The burdens of the earth with the saviour’s birth are falling.
Sounds of the morning,
Birds twittering in the morning,
Drown out Makor’s hungry howl.
Ram is in his forest dwelling; the seth in his palace home.
Temple gongs and trumpet sounds of revelry are blown.
Makor faints to her death.
The millstone sings of death.
A lone black crow laments her gone
“āŠĪ્āŠ°āŠĢ āŠŠāŠĄોāŠķીāŠ”
āŠķેāŠ āŠ
āŠĻે āŠ°ાāŠŪ āŠાāŠી āŠ°āŠđ્āŠŊા āŠે; āŠāŠી āŠĶુāŠĻિāŠŊાāŠĻો āŠŠોāŠાāŠ°; āŠĪાāŠ°āŠĢāŠđાāŠ°āŠĻા āŠāŠĻ્āŠŪ āŠļાāŠĨે āŠŠૃāŠĨ્āŠĩીāŠĻો āŠŽોāŠ āŠāŠી āŠ°āŠđ્āŠŊો āŠે. āŠļāŠĩાāŠ°āŠĻા āŠ
āŠĩાāŠો, āŠļāŠĩાāŠ°ે āŠŠāŠ્āŠ·ીāŠāŠĻા āŠāŠđુāŠા, āŠŪાāŠોāŠ°āŠĻા āŠૂāŠ્āŠŊા āŠિāŠિāŠŊાāŠ°ીāŠĻે āŠĄૂāŠŽાāŠĄી āŠĶેāŠĩાāŠŪાં āŠāŠĩ્āŠŊા. āŠ°ાāŠŪ āŠĪેāŠĻા āŠંāŠāŠēāŠŪાં āŠ°āŠđે āŠે; āŠķેāŠ āŠĪેāŠĻા āŠŪāŠđેāŠēāŠŪાં āŠ°āŠđે āŠે. āŠŪંāŠĶિāŠ°āŠĻો āŠંāŠ āŠ
āŠĻે āŠāŠĻંāŠĶāŠĻા āŠ°āŠĢāŠķિંāŠāŠĄાāŠĻા āŠ
āŠĩાāŠો āŠĩાāŠે āŠે. āŠŪાāŠોāŠ° āŠĪેāŠĻા āŠŪૃāŠĪ્āŠŊુāŠĨી āŠŽેāŠđોāŠķ āŠĨāŠ āŠાāŠŊ āŠે. āŠŪિāŠēāŠĻો āŠŠāŠĨ્āŠĨāŠ° āŠŪૃāŠĪ્āŠŊુāŠĻું āŠીāŠĪ āŠાāŠŊ āŠે. āŠāŠāŠēો āŠાāŠģો āŠાāŠāŠĄો āŠĪેāŠĻા āŠāŠŊાāŠĻો āŠķોāŠ āŠĩ્āŠŊāŠ્āŠĪ āŠāаે āŠે
"The Heart Seeks"
The heart seeks again, those nights and days
Sitting for long, with my imaginings at play.
In summer Night's easterlies
Staying awake in white sheets
Star-gazing in the terrace, stretched on our feet.
"āŠđૃāŠĶāŠŊ āŠķોāŠ§ે āŠે"
āŠđૃāŠĶāŠŊ āŠŦāŠ°ી āŠķોāŠ§ે āŠે, āŠ āŠ°ાāŠĪો āŠ
āŠĻે āŠĶિāŠĩāŠļો āŠēાંāŠŽા āŠļāŠŪāŠŊ āŠļુāŠ§ી āŠŽેāŠļી āŠ°āŠđેāŠĩું, āŠŪાāŠ°ી āŠāŠē્āŠŠāŠĻાāŠ āŠ°āŠŪāŠĪી āŠ°āŠđી. āŠāŠĻાāŠģાāŠŪાં āŠŠૂāŠ°્āŠĩāŠĻી āŠ°ાāŠĪો āŠļāŠŦેāŠĶ āŠાāŠĶāŠ° āŠŠāŠđેāŠ°ીāŠĻે āŠાāŠāŠĪા āŠ°āŠđેāŠĩું āŠેāŠ°ેāŠļāŠŪાં āŠĪાāŠ°ાāŠ āŠોāŠĪા, āŠŠāŠ āŠŠāŠ° āŠēંāŠŽાāŠŊેāŠēા.
“Kabuliwala”
Mini’s mother is naturally a timid person. Whenever she hears a slight noise from the street, she
thinks all the tipplers of the world are rushing together towards our house. After living for so
many years in this world (though not many), she has still not been able to temper her fear that the
world is full of all kinds of horrors: thieves, robbers, drunkards, snakes, tigers, malaria,
cockroaches and European soldiers.
"āŠાāŠŽુāŠēીāŠĩાāŠēા"
āŠŪીāŠĻીāŠĻી āŠŪાāŠĪા āŠļ્āŠĩાāŠાāŠĩિāŠ āŠ°ીāŠĪે āŠ āŠĄāŠ°āŠŠોāŠ āŠે. āŠ્āŠŊાāŠ°ે āŠŠāŠĢ āŠĪે āŠķેāŠ°ીāŠŪાંāŠĨી āŠĨોāŠĄો āŠ
āŠĩાāŠ āŠļાંāŠāŠģે āŠે, āŠĪ્āŠŊાāŠ°ે āŠĪેāŠĻે āŠēાāŠે āŠે āŠે āŠĶુāŠĻિāŠŊાāŠĻા āŠŽāŠ§ા āŠĶાāŠ°ૂāŠĄિāŠŊાāŠ āŠāŠāŠļાāŠĨે āŠāŠŠāŠĢા āŠāа āŠĪāŠ°āŠŦ āŠĶોāŠĄી āŠ°āŠđ્āŠŊા āŠે. āŠāŠāŠēા āŠĩāŠ°્āŠ·ો āŠļુāŠ§ી āŠ āŠĶુāŠĻિāŠŊાāŠŪાં (āŠોāŠે āŠāŠĢા āŠĩāŠ°્āŠ·ો āŠĻāŠđીં) āŠીāŠĩ્āŠŊા āŠŠāŠી, āŠĪે āŠđāŠુ āŠŠāŠĢ āŠĪેāŠĻા āŠĄāŠ°āŠĻે āŠķાંāŠĪ āŠāаી āŠķāŠી āŠĻāŠĨી āŠે āŠĶુāŠĻિāŠŊા āŠŽāŠ§ી āŠŠ્āŠ°āŠાāŠ°āŠĻી āŠāŠŊાāŠĻāŠāŠĪાāŠāŠĨી āŠāаેāŠēી āŠે: āŠોāŠ°, āŠēૂંāŠાāŠ°ા, āŠĶાāŠ°ૂāŠĄિāŠŊા, āŠļાāŠŠ, āŠĩાāŠ, āŠŪેāŠēેāŠ°િāŠŊા, āŠĩંāŠĶો āŠ
āŠĻે āŠŊુāŠ°ોāŠŠિāŠŊāŠĻ āŠļૈāŠĻિāŠો.
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